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''The Ghost of Vermeer of Delft Which Can Be Used As a Table'' is a small Surrealist oil painting by Salvador Dalí. Its full title is ''The Ghost of Vermeer of Delft Which Can Be Used as a Table (Phenomenologic Theory of Furniture-Nutrition)''.〔Gala-Salvador Dalí Foundation, (Catalogue Raisonné of Paintings, 1910-1951 ) accessed 13 May 2013〕 It makes reference to The Art of Painting by Johannes Vermeer, a famous seventeenth-century work in which a painter, thought to be a self-portrait of Vermeer, is depicted with his back to us, in distinctive costume.〔The Essential Vermeer, (The Art of Painting ) accessed 13 May 2013〕 It is one of a number of paintings expressive of Dalí's enormous admiration for Vermeer. Vermeer is represented as a dark spindly figure in a kneeling position. The figure’s outstretched leg serves as a table top surface, on which sits a bottle and a small glass. This leg tapers to a baluster-like stub; there is a shoe nearby. The walls and the distant views of the mountains are based on real views near Dalí's home in Port Lligat.〔The Salvador Dalí Society, (Dalí’s ‘Ghost of Vermeer’ a Miniature ‘Huge’ in Importance ) accessed 13 May2013〕 In Vermeer's painting the artist leans on a maulstick, and his hand is painted with an unusual blurriness, perhaps to indicate movement. In Dalí's painting Vermeer rests the same arm on a crutch.. It is unsigned and undated but known to have been completed c.1934.〔Gala-Salvador Dalí Foundation, (Catalogue Raisonné of Paintings, 1910-1951 ) accessed 13 May 2013〕 It is currently on display at the Salvador Dalí Museum in St. Petersburg, Florida, on loan from the E. and A. Reynolds Morse collection. ==Related works== Around 1934, Dalí produced several other works inspired by ''The Art of Painting'': * ''Masquerader, Intoxicated by the Limpid Atmosphere'' (private collection) * ''The Ghost of Vermeer of Delft'' (private collection, Switzerland) * ''Enigmatic Elements in a Landscape'' (Fundació Gala-Salvador Dalí, Figueres) * ''Spectre of Vermeer's Chair'' (private collection) 〔Gala-Salvador Dalí Foundation, () Catalogue Raisonné of Paintings, 1910-1951] accessed 13 May 2013〕 Dalí revered Vermeer, and also drew several times on his Lacemaker, for instance in ''Paranoiac-Critical Study of Vermeer's Lacemaker''. ''The Ghost of Vermeer'' should also be seen in the context of his other reworkings of historic paintings, such as several works inspired by Millet's ''Angelus''. Images of anthropomorphic furniture as well as crutch-like objects are common in this period of his career. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「The Ghost of Vermeer of Delft Which Can Be Used As a Table」の詳細全文を読む スポンサード リンク
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